The Coast is Near

This. When you're driving down A1A and you can't see the water but you feel it's presence - the way the sky goes on forever, the way the sun is hitting the palms, the way the breeze feels as it blows in from the ocean and brings you that salty scent. You can't see the waves but you can hear them pounding away and then retreating. 

The Coast is Near

Just a quick little post to share the newest painting. Sometimes you just wanna paint something familiar, bright, simple, and says Florida. This one fit the bill and was crazy fun to paint. And it's telling me that I need to get to the coast soon. 

If this piece brings you joy like it does for me, look for it here on my website.

I hope you're getting some beach time in this summer.

Peace,

C

Both Sides of the Desk

A lot has been going on lately. I have the honor of being included in the July issue of Ocala Magazine. It's a page they do every month featuring a different artist. How cool!

The other projects happening right now are things I can't share. Here's a piece of one of them. They're both colored pencil commissions that are surprises for friends and family. I'll be able to share after they're gifted. 

We've been busy at the gallery too. We have a wonderful scrap metal sculptor named Josh Price from Contrived Curiosities. We sold this adorable pair of owls this weekend.

A face only a mom could love! This is actually one of my favorite sculptures in the gallery. 

So all this has me thinking about what I do work wise. I'm a painter who sells work in galleries and now I co-own a gallery too. Over the years I've heard from other artists how horrified they are that retail galleries take a 50% commission on sales. People new to the scene don't realize that 50% is the norm. Non-profits sometimes take a smaller commission because they receive other funding. Some galleries like ours are collectives or co-ops, meaning they charge a monthly fee instead of charging a commission. I've never begrudged my gallery reps their share. They've earned it. Since being part of Gallery B I have an even better understanding of what's involved in opening a gallery and keeping it open. 

What do galleries do with your 50% or your monthly fee? They spend it on rent or mortgage, utilities, insurance, salaries, taxes, advertising, web design and hosting, licenses, building upkeep, supplies, phone service, banking fees, merchandiser fees, accountants, legal rep, signage, reception costs, and the list goes on.

If you're an artist thinking of jumping into gallery representation, please keep in mind that it's a business partnership. A good gallery will work for you, sell for you, and they have huge expenses just like any other business. You can do your part by being professional, providing good materials like your consignment list, giving the gallery as much information about you and your work as possible, have a consistent body of work to show and have new work available for them when asked. The best thing you can do is have the best quality work you can do. Make sure your presentation is clean - if you frame your work, make sure the frame is good quality and free from any nicks or scratches. Have your work ready for the gallery to hang. Basically, be considerate of your gallery and the customers. 

As a selling painter, you wear a lot of hats because you have to do the selling along with the making of the art. Now I'm on both sides of the desk and get to experience not only selling my work but the work of other artists too. One thing I've noticed - it's easier to talk up other people's work than it is my own. Why do we find it so much easier to brag on others than it is to toot our own horns?

Enjoy the rest of your day. I hope it's filled with joy and the creative juices are flowing.

C 

When you're between projects....

Happy 4th everyone! I hope you're doing something fun today. We have pretty lousy weather right now so I don't think we're doing anything outside, hence, the reason I'm sitting at my computer. 

So this is the kind of thing I do when I'm between projects. I just finished the last nest painting. I have 2 commissions waiting in the wings. I have multiple canvases prepped and waiting for new nests and landscapes. Before starting all that I wanted to play with something a little different. It always helps to get the creative juices flowing. 

I started with a full sheet of watercolor paper, gave it a layer of gesso, and taped it down on all the edges. Then I used the tape to section off 12 squares. With a large brush I started throwing acrylic paint around - thalo blue, light green and red gold. I also scribbled a bit with graphite and colored pencils.

 

While the paint was still wet I used the handle end of the brush to scratch into the paint and make more marks. I applied the white with a big kitchen spatula. You can see here that I peeled the tape away. 

I tore the squares apart using a straight edge. Since the paper has deckled edges I didn't want to use scissors and make the inside edges too clean. Tearing against the straight edge gives a more deckled feel. 

As a last step, I used my favorite black - BLK3.0 ultra matte black, to add areas of contrast. They're fun little abstracts! Now what do I do with them? I thought about framing them but I HATE framing. The hassle and expense of framing is one of the reasons I no longer do much work on paper but sometimes the urge is too great. So what now - I realized that these little guys fit well on an 8x8 canvas so I ordered a case. I'll paint them solid black and then mount the paintings on the canvas. I like the way the black edge frames the design. 

While I'm waiting for the canvas order to come in I can start working on the commissions. This is one of the best things about being a painter. I love having multiple projects to work on. Maybe it seems like I'm all over the place or unfocused to some folks but I never get bored in the studio! And it seems to me that working with multiple subject matter and methods can influence the other work you do. Isn't that how we grow as artists? Anyway, this is definitely something I'll do again. If you're looking for a fun exercise to build your composition and design skills, this is it. 

Just some thoughts on a rainy day.

Till next time,

C

Neighborhood News

The nest from the video in the last post is finished. This cardinal had a story to tell so I'm calling it Neighborhood News. Birds are such resourceful creatures. You never know what you're gonna find tucked into a nest. I've found cloth, yarn, plastic grocery bag pieces, hair - horse and human, moss, newspaper pieces, and a gold foil strip from a cigarette pack. 

This new piece is available on my website. I've also added a new landscape to the site today. Have you been to my site yet? Please check it out by clicking here. There's a link to this blog along with tabs to take you to each section - nests and landscapes along with a few other collections of things I do. We don't have to stick to painting only one thing do we? It's much more fun to mix things up - kinda like the birds and their building techniques. 

Have a fabulous rest of your week. On to the next painting....

C

 

It has to be painted...

I haven't recorded myself painting in quite a while so I wanted to share a little clip I did this morning with the start of the newest nest painting. I got the reference for this nest from a friend of mine and I thought it was just gorgeous. It has the fine straw in the center, Spanish moss all around, twigs with leaves still attached and pieces of newspaper tucked in for good measure. It was begging to be painted. I hope I can do it justice.

I'll share a picture when it's finished. Until next time.....

C

The Best Break

There was no studio time this past week. I didn't paint. I didn't work the gallery. I didn't post anything. What I did do was get in the car with the hubby and drive to Texas to see some of my favorite people. Distance from children and grandchildren hurts the heart during the best of times but during a pandemic it's especially hard. We hadn't seen our babies in a year and a half and that's just way too long.

My lovely daughter and grandson.

Granddaughter silliness!

Our little guy loves painting, drawing and origami so of course we had to have a fun, artsy afternoon along with the swimming, karate classes, gymnastics, and water balloon fights.

On the way home we stopped in Tallahassee at the Signature Gallery to pick up some of my work to swap out with Gallery B in Ocala. Soon I'll be shipping some new work to the Signature. It's good to move work around and keep the galleries fresh. And now that we're back from the trip I'm ready to PAINT!! I have so much I want to do. I have some abstracts to finish for Signature, new landscapes to do, a new nest reference I'm dying to work with, and a portrait commission to start. 

Sometimes the best way to get inspired and motivated to paint is to stay out of the studio for a while. Take a break, think about other things and do something completely different.

Now I'm ready.

C

It's Experiential

The little abstract painting below was a piece I did a few years ago. I liked it then. It's where I was at the time. Looking at it again recently, along with a number of other ones, I decided it wasn't what I wanted anymore so I started putting more layers on top, sandwiched between layers of thick gloss acrylic gel. In those layers I also scribbled with graphite and colored pencil, and dribbled alcohol to lift color. If you look closely you can still see bits of the original painting peeking through so scroll down to see what happened to it. 

When the last layer of clear gloss dried I added a final touch.... accents painted with BLK3.0. This is the most matte black paint I've ever seen. It absorbs all the light so you don't even see the texture that's underneath the paint. I love the contrast between the matte black and the high shine of the gloss gel. 

One thing about this kind of work where you have layer upon layer and extreme contrasts, it's hard for all the details to come across in a photo. It's so experiential, it's best to see pieces like this in person. Below is a detail shot and then a couple of pictures at angles so you can see the difference between the shine and the black areas. 

The original painting was called Time Passage 11 so I guess I'll call it Time Passage 11 Redux. There's more experimenting to do so stay tuned for a few more of these. I just added this one and one other to my website so check out the abstract page to see more. Of course I have some new bird nest paintings in mind too, and some landscapes. So many paintings to do!

Happy Wednesday and I hope the rest of your week is spectacular.

C