Acrylic to graphite to colored pencil and back again.

It's been a busy time with lots of projects and that's a good thing! I love having multiple things to work on. I can go back and forth between projects when I get tired of something or just frustrated with how things are going and need a break. 

Switcharoo time..... I went from nests and landscapes to portraits all of a sudden. First I got a very special commission. This is a portrait that was started by an artist friend many years ago. Sadly, she passed away before finishing and her sister asked me to finish it for her. Talk about pressure. I was scared to death to do it but once I got started I was ok. I just wanted to make the artist's family proud because really - what an honor that they asked me to do it.

The other challenge was figuring out how much painting to do. There was the obvious - everything that was left undone - face, hair, both shirts and bits of the rest of the clothing. There were other things too where she had done first layers but I was afraid if I did too much it wouldn't be her painting anymore but mine. I couldn't let that happen. So anyway, this is the finished portrait. I worked mostly on the figure and the jacket he's leaning against. Irene, wherever you are, I hope you're pleased.

While working on that one I got another commission that I finished and can't show you because it's to be a surprise gift. So pretend I'm sharing a photo of a graphite portrait of 4 people. You'll see the real thing at the end of November.

⬜

Then I got another commission to do one in colored pencil. I went from acrylic to graphite and now to cp. This one I can share in progress so I shot a little bit of video while I was working on it. I'll share again when it's done.

And now I'm also working on another portrait in acrylic but I'm adding gold leaf to it. Just because. It's from a photo my daughter took and I just love it so I thought I'd play a bit. I'll share that one in the next post.

Until then, keep on painting and playing.

The next nest

How was your Labor Day weekend? Mine was mostly quiet. I didn't even work in the studio. What I did do was a sleepover with our 6 year old granddaughter. There is nothing in the world sweeter than a conversation with a 1st grader and nothing more fun than the games she comes up with. Bath time means word games, movie time means picnics on the bed and snuggling together, playing outside means chasing bubbles and playing tag. She kept me on my toes the whole time.

And of course at this house, getting together also means drawing and painting time. She left us with this drawing and just cracked me up with the "AKA granddaughter". 

I'm made of complimentary colors :)

After all that fun I did get back to my own painting this week and finished another nest- actually 2 nest paintings.... remember the nest I got out of the tree in my yard?

Birthplace

This is the first painting to come from that nest. It's 18x18 and this time I used copper leaf instead of gold. I'm not quite sure how I feel about the copper. It's the only copper one so far and I don't know if I'll do another. Just that little bit of color shift in the background created some color issues in the nest itself so we'll see.

And it looks like I've started something.... I was recently gifted these 2 nests to add to my collection. The little bluebird nest on the left was my reference for the most recent painting.

The Nursery

16x16

Now it's time to prep some more canvases and figure out which nest is next. See ya'll soon.

Practice and save your stuff!!

Every once in a while a couple of topics come up when I'm working with art students.

1. They want it now! They want to be able to paint like an "expert" right off the bat. Practicing takes too long. They get frustrated. Some don't want to work on drawing skills but jump straight to the palette and paint. Let's get some color on that canvas. Some even want to finish that painting in the first class! We do live in an instant gratification culture.

2. When they produce something they're not that proud of they want to throw it away. Rip it up! Trash it. There's no point in keeping something they're never going to frame. It's not good enough to keep around. They say to me.... "you're a professional, I'm sure everything you do is worthy of framing". HA! They haven't seen the pile of canvases waiting to be painted over and the papers tucked away in folders that won't see the light of day.

I certainly understand the frustration! Been there, done that. Many times I've been frustrated with myself and my work. Just this week I spent 2 days really struggling with a new painting. At one point I wanted to gesso over the thing and start over. I have to keep reminding myself that every painting goes through an ugly stage and you shouldn't give up on it too soon. Keep working and most times you can get through that stage to the finish and even be satisfied (almost) with the result.

When discussions like this come up I like to pull out my old portfolio from art school. Mind you that was eons ago - 1970's - and yes, I still have a lot of that old work. I even have a piece from high school in that stash. It's the first scratchboard piece I did and the first piece of work that earned some cash. My friend Sue also did a black and white piece so we got together and had note cards printed. We packaged 3 of each design for a 6 card pack with envelopes and sold them around school and church.

Anyway, sometimes we all need to be reminded that things don't happen overnight. We all start somewhere. We're all beginners at something. No one picks up a guitar for the first time and plays like Eric Clapton. No matter what you're doing, it takes practice. There are no shortcuts to that part. Now it's usually in this part of the discussion where the word "talent" comes in but that's a topic for another time.

Right now we need to be more patient with ourselves. We need to focus more on the process than on the outcome. Every drawing that fails, every painting that's not "good enough" is still teaching us something. That teaching goes on for a lifetime! Every painting we do is a lesson in something whether it's a new color mix or a lesson in what doesn't work and we know not to do that next time. Be open to those lessons.

Don't throw out old work.

 
This is one of the first colored pencil drawings I did when I was attending the Art Institute and studying fashion illustration. Yikes!
                 

This is a colored pencil portrait I did last year.

I sure understand the temptation to throw away artwork. When I get these old pieces out and look at them I cringe. I want to go back into it and fix everything! But when looking at the old work and comparing it to the newer work I can see where I've been, how far I've come, how much I've learned, how much I've advanced in my skills.

Save your stuff! When you feel like you're not getting very far and are frustrated with what you're doing you can look back and realize- hey, I am getting better. That realization is one of the best motivators and will keep you practicing.

Give yourself a break. Keep drawing and painting. Save your work and nothing can replace the time you spend doing the work. Practice- daily if you can. There's no substitute for it and don't worry about it being frame worthy. It doesn't matter. What matters is the doing.

Challenges and getting back to the drawing board

My favorite place to walk in the morning- Tuscawilla Park. This morning there was a breeze, the sun was shining, the crows were squawking and the ducks were mumbling to themselves when I walked by (you know how some words just don't look right when you spell them correctly? I had to look up squawking and it still doesn't look right to me LOL). Anyway.... it felt good to be out again. I did a very slow 2 miles today, much less than and much slower than I usually do but that's ok. 

For the last week and a half I've been fighting off a rheumatoid arthritis flare up. I've had the condition for many years and it's always been very mild- very, VERY fortunate that way. For some reason the first half of this year has been a little different. This is the second really bad flare I've had since the beginning of the year and it's been an extreme challenge. That's never happened before and this one took the wind out of my sails. Not being able to walk pissed me off but even more frustrating was not being able to paint or draw. I would look at the work sitting there- calling my name- the desire was there but the energy and physical ability just wasn't. 

Finally, yesterday, I was recovered enough to get back to the drawing board to work on this commission of Connor. Wow, did that feel good to be back. Got my Netflix shows going (Orange is the New Black) and I was able to hold and work the pencil for a few hours. If I could I would have gotten up and done a happy dance! :D

I'm excited about getting this little guy finished and I have several more commissions lined up. The next one being a house portrait in graphite. That'll be a little change of pace- looking forward to it.

Do any of you out there have similar issues with a chronic condition? I'd love to hear from you. If you're an artist how do you deal with it and your studio time? It can be pretty scary to think about the possibility of not being able to work. An artist friend of mine has had some severe vision problems and she's talked about turning to sculpture if she ever lost her sight. For me the fear is losing the use of my hands so I guess I'd have to come up with some creative way to hold a brush and pencil. We're artists right? We're creative. We can figure out a way.

So for now.... I'm back to work and not going to dwell on the negative possibilities because I can't even imagine a life without painting.

Take care everyone and have a beautiful Sunday.