Lovey in 3 little videos

Last time I shared the portraits I was working on and I mentioned another one in acrylic with gold leaf. Here are 3 video clips of me working on that portrait and a picture of the finished painting.

I was inspired by the first acrylic portrait where I finished the other artist's work. I really was afraid to start that one because of the pressure I felt to do well. I had always done portraits in colored pencil so not only was there pressure because of the circumstances but pressure because it was a subject I don't usually do in acrylic. After doing that one and getting such a great reaction to it from the client, I gained enough confidence to give it another shot. 

I'm constantly stressing to my students that reference material is HUGE. I'm sure they get tired of hearing about it but it really is that important. Sometimes I see them painting away on something while their reference photo is hidden somewhere in the mess of supplies on the table. How can they use it if they can't see it. You can't paint well if you can't see the subject.

Anyway.... the reference I used for this painting is a photo my daughter Sarah took of her daughter Scarlett. It's a good composition and clear so it makes a great reference. And what better way to play with a new portrait than of my granddaughter! I'm a mom so of course I'm also going to put a plug in here for my daughter's new blog about her photography so click on those words right there to see it and some more of her pictures.

Below I'm applying the gold leaf. You don't see it here but first I applied adhesive size to the canvas- that's the glue. You usually have to wait anywhere from 15 to 30 minutes for the glue to get tacky. Once the color has gone from milky white to clear, give it a tap with your finger to check if it's tacky enough to hold the gold.

In the last one I'm working on the face. I don't use portrait smooth canvas like some people. I love texture so why change now? I did my usual slathering of super heavy gesso on the canvas with a palette knife. I just didn't make it as rough as I usually do so when I drybrush color on it you can see the texture on the skin. I'm ok with that because there's texture everywhere else and it keeps the look consistent.

And here she is finished - Lovey is 11x14. When I was on video chat with Sarah and Scarlett the other day, I showed them the painting and the first thing Scarlett said was "my lovey!" so the title was a no brainer.

Lovey

11x14

acrylic and gold leaf

I'm still working on the colored pencil portrait of the 2 little guys on the bed. Look for the finished one in the next post - hopefully!

Acrylic to graphite to colored pencil and back again.

It's been a busy time with lots of projects and that's a good thing! I love having multiple things to work on. I can go back and forth between projects when I get tired of something or just frustrated with how things are going and need a break. 

Switcharoo time..... I went from nests and landscapes to portraits all of a sudden. First I got a very special commission. This is a portrait that was started by an artist friend many years ago. Sadly, she passed away before finishing and her sister asked me to finish it for her. Talk about pressure. I was scared to death to do it but once I got started I was ok. I just wanted to make the artist's family proud because really - what an honor that they asked me to do it.

The other challenge was figuring out how much painting to do. There was the obvious - everything that was left undone - face, hair, both shirts and bits of the rest of the clothing. There were other things too where she had done first layers but I was afraid if I did too much it wouldn't be her painting anymore but mine. I couldn't let that happen. So anyway, this is the finished portrait. I worked mostly on the figure and the jacket he's leaning against. Irene, wherever you are, I hope you're pleased.

While working on that one I got another commission that I finished and can't show you because it's to be a surprise gift. So pretend I'm sharing a photo of a graphite portrait of 4 people. You'll see the real thing at the end of November.

⬜

Then I got another commission to do one in colored pencil. I went from acrylic to graphite and now to cp. This one I can share in progress so I shot a little bit of video while I was working on it. I'll share again when it's done.

And now I'm also working on another portrait in acrylic but I'm adding gold leaf to it. Just because. It's from a photo my daughter took and I just love it so I thought I'd play a bit. I'll share that one in the next post.

Until then, keep on painting and playing.

A short and speedy clip

I discovered the hyperlapse setting on my phone! Yay! I love watching artists in their speed painting videos so I decided to try it myself. Yesterday I set up my little blue flexible tripod with my phone in it and did a clip of me working on the next bird nest painting. This is only the second time doing this. Hopefully these little clips will get better with practice. Light can be an issue in my studio so I might have to experiment with the placement of my easel and I have to figure out a way to get closer to the canvas too.

Anyway..... here's a short clip of a work in progress. It's an 8x8 canvas that I first textured with super heavy gesso. After letting that dry overnight I painted the whole canvas red, sketched the design and then applied gold leaf. Here I'm working with acrylic. I'm not done at the end of the clip, I still have some work to do so I'll share it when it's finished.

Thanks for watching!

What's up 2017?

Was there a January? I don't know. It's just a blur now. I know some amazing stuff happened like having some good sales from my oh so wonderful Signature Gallery. I can't even tell you just how much I love them! Thanks to them, I had to get busy painting some more - oh darn.

Paynes Prairie

20x20

The locals know this place. Sometimes on trips between Ocala and Gainesville I'll stop and walk out on the dock on 441 and take pictures. When I have more time I'll go into the park and climb the lookout tower for a different view.

Garage Apartment

12x24

Since starting this bird nest series I've been gifted numerous nests from friends. This one came from my neighbors garage. It really is this shape. It was high up in the rafters in a corner and it looked like the bird wanted to fill the entire beam. It included bits of white fuzz that looked like batting and some pieces of blue and pink yarn.

White Feather

6x6

I've also been given lots of feathers so I thought I'd play with those. This is the first one- starting small. I'm not sure yet where I'll be going with these so stay tuned....

So those are 3 of the 10 pieces heading up to the gallery in the next week.

Then.... I was contacted by the Macon Arts Alliance Gallery asking if I would send some work to them for their upcoming show in March. Yay! They specifically asked for nests and florals so....... 

These are 2 of the 9 pieces heading that way later this month. And in case you're wondering, no, I did not paint 19 paintings last month. I was busy but I do like to sleep too. Some of the work is inventory I already had here in the studio.

Cubby

8x8

This is a crazy little nest made from horse hair. My friend Jean brought a couple of these in to class one day. She said she can tell which of her horses sacrificed hair for the little bird by the color of the nest.

After the Blossom

18x18

This was actually done from a friend's photo. I don't usually work that way but she had some beautiful shots and she gave me permission to use them. I wanted to play with the combo of pink and gold. Gold, anyone surprised? 😁

So there ya have it. That was January. Unfortunately the first week of February kicked my butt. I was sick in bed with a rheumatoid arthritis flare up. Any other artists out there dealing with a chronic condition that likes to interfere with your life? I'd love to hear from you. How do you deal? Anyway, now I'm back to feeling human again and ready to go. It's time to get some work boxed up and out of here and then back to the easel. Next time I'll share the landscape diptych I'm working on. Would you believe it doesn't include gold leaf? 

A quick post holiday post

I hope ya'll had a great Thanksgiving weekend. Just a quick post with a nest update. It's been a busy couple of weeks with the holidays coming up plus I've been sick- no fun! But I'm on the mend now and ready to get back to painting and all the other stuff that goes along with it.

This is a little nest that was on top of my daughter's front porch light fixture. It's a swallow's nest. Before seeing this I had no idea some birds made their nests partially with mud. You can see the photo below. I usually prefer to have a nest in hand to paint from rather than working from photos but as you can see this one was well occupied and later there were 5 beautiful swallows.

The painting below is still a work in progress and another one I'm doing from a photo even though I have the actual nest in the studio. I found it in the hedge in my yard but before I removed it from the hedge I took pictures from different angles in case I wanted to do something that included a few surrounding leaves. Tomorrow I'm spending the day at the easel and I'll post again when it's done.

In the meantime......

After all that holiday food

No tricks, just a work in progress

I've been back in the studio painting- nests of course. I'm not sure how long I'll be painting these but for now I'm going with the proverbial flow. As long as they keep hold of my heart and mind then I'll keep on making them.

Recently, one of my students was wondering what my process is for painting the nests so I thought I'd post a few work in progress pics.

Here you can see I've already got the gold in place. Before I can apply the gold I prep the canvas. The first thing I do is apply a layer of Super Heavy Gesso with a large palette knife. You can see the texture on the canvas surface. That layer of gesso is pretty thick so I leave it to dry over night. When it's dry I coat the canvas with a primary red acrylic. 

Then I use a white charcoal or pastel pencil to sketch in the outline of the nest. This gives me a map for the adhesive size used to adhere the gold. Once the size is tacky - that takes approximately 15-30 minutes - I place the gold leaf, brush off the excess, and this is what the canvas looks like.

In this next step I've coated the rest of the canvas, all areas without gold, with burnt umber. After the paint is dry I use the same pastel pencil to sketch in the main elements. I mark the edge of the nest opening, the largest pieces of leaves, plastic, or other bits of debris the birds used for building.

I paint those large pieces in first and then use a liner brush to start building the layers of grasses and twigs that are woven together. When I build these layers I work from dark to light starting with a burnt sienna\burnt umber mix and adding other colors as I get lighter and lighter.

Fledged

12x12

acrylic and gold leaf

The final strokes are the lightest ones, the ones that make the painting pop and give it depth. I think the toughest challenge about these paintings is photographing them because of the gold leaf. In every photo the gold looks a little different. It all depends on the angle, the time of day, the light- if it's overcast or sunny outside. You can see the difference even in these progress pictures. At the same time, that's my favorite thing about these paintings- the way the painting changes with the light. It's not a trick but sure is a treat! LOL, I know..... way too corny but couldn't help myself. 

Happy Halloween ya'll!

Good morning Monday- painting, taxes and a little naughty :)

Remember the painting in the ugly stage?

It's done now and sold. This morning I got it wired and varnished and soon it will be going to it's new home which happens to be the same home in NV where the smaller one went. They'll be together! Yeah, I know that's silly and sappy but hey..... don't a piece of ourselves go into every painting? When a collector buys a painting they're buying a piece of us. My heart and soul go into these paintings. Each one is it's own struggle, it's own challenge and it's nurtured along through each stage of development, pushing me and it to be better than the last one. That's the hope anyway.

Since last week I've acquired another nest. Isn't it beautiful? This is a cardinal's nest that was in my brother-in-law's yard. Just the day before he brought this to me I was thinking that I'd like to find one with some Spanish moss in it and ta-da! Here it is. I not only love the moss but I love the pile of little leaves inside. This will be another challenge for sure.

Hopefully I can get back to painting tomorrow. Over the weekend I tackled doing taxes- ugh!!!! I'm almost done but not quite there yet and this afternoon I'm teaching a class at the studio. 

Until next time..... here's a little thing I found on Facebook this morning. I don't know the name of the creator so if someone out there does, please share with us. It's a little on the naughty side but makes a good point. I've often wondered about critics and their evaluation of paintings. Why do they see what they see compared to what the artist intended? Critics like to get all puffed up with their "artspeak" and sometimes it's nothing more than a simple story. Just ask the artist.

At the National Art Gallery in Dublin, a husband and wife were staring at a portrait that had them completely confused. The painting depicted three black men totally naked, sitting on a bench.

Two of the figures had black penises, but the one in the middle had a pink penis. The curator of the gallery realized that they were having trouble interpreting the painting and offered his personal assessment.

He went on for over half an hour explaining how it depicted the sexual emasculation of African Americans in a predominately white patriarchal society . "In fact", he pointed out, "some serious critics believe that the pink penis also reflects the cultural and sociological oppression experienced by gay men in contemporary society".

After the curator left, an Irishman approached the couple and said, "Would you like to know what the painting is really about?"

"Now why would you claim to be more of an expert than the curator of the gallery", asked the couple?

"Because I am the artist, who painted the picture", he replied, "In fact, there are no African Americans depicted at all.

They're just three Irish coal miners. The guy in the middle went home for lunch"

Painting, sharing, shipping, bingeing

It was a busy week in the studio last week. I got lots of painting done, talked to lots of people, shipped artwork to the Signature Art Gallery and even sold a few paintings! And btw.... the Signature Gallery has a bird room- all things bird so if you're a bird watcher or are just fascinated with them like I am then go see what they have in there. So anyway, it was a banner week and the best of all was Friday when this article came out in Arts Business Institute. A big thank you to Carolyn at Artsy Shark for contacting me. Check it out and if you would be so kind.... tweet it or share it on whatever method of socializing you utilize. Thanks!

This is the latest bird's nest I did and it's sold so it's heading to NV this week. I have another one on the easel in the ugly stage.....

Kind of weird lighting in this shot. I had my spotlight on the nest I'm using for reference so the canvas looks a little dark. My laptop is there so I can message with people while I work and of course binge on Netflix shows- right now I'm bouncing back and forth between the new episodes of Walking Dead and old episodes of NCIS.

This is a little Instagram snippet from the process of applying gold leaf to my canvas.

Artist friends.... what do you do when you paint? Listen to music? Watch TV? Are you a binge watcher? Need silence? Just curious.

Carry on and happy painting.

The next nest

How was your Labor Day weekend? Mine was mostly quiet. I didn't even work in the studio. What I did do was a sleepover with our 6 year old granddaughter. There is nothing in the world sweeter than a conversation with a 1st grader and nothing more fun than the games she comes up with. Bath time means word games, movie time means picnics on the bed and snuggling together, playing outside means chasing bubbles and playing tag. She kept me on my toes the whole time.

And of course at this house, getting together also means drawing and painting time. She left us with this drawing and just cracked me up with the "AKA granddaughter". 

I'm made of complimentary colors :)

After all that fun I did get back to my own painting this week and finished another nest- actually 2 nest paintings.... remember the nest I got out of the tree in my yard?

Birthplace

This is the first painting to come from that nest. It's 18x18 and this time I used copper leaf instead of gold. I'm not quite sure how I feel about the copper. It's the only copper one so far and I don't know if I'll do another. Just that little bit of color shift in the background created some color issues in the nest itself so we'll see.

And it looks like I've started something.... I was recently gifted these 2 nests to add to my collection. The little bluebird nest on the left was my reference for the most recent painting.

The Nursery

16x16

Now it's time to prep some more canvases and figure out which nest is next. See ya'll soon.

So many paintings... so little time.

Hope everyone's good. I've been busy in the studio since the last post. Finished this nest....

And then painted this one..... sold another one.....

Then for a change of pace I started this landscape with a flowering tree. I wanted to play with some different colors and shapes. I've done a couple of other pieces similar to this one and love the blue-greens against the gold leaf.

From this angle you can see the texture and shine of the gold. I'm using metallic gold acrylic to drybrush gold along the edge of the leaf. It softens the edge and makes a good transition between the 2 areas. And it shows off the texture too. Love the texture!

So right after starting this landscape I found an old nest in a tree in my yard. I got on a step stool to get some shots of it to paint from. It was well seated in between the branches so it wasn't easy to take photos.

The next day I decided to see if I could get the nest out of the tree without damaging it. It was tricky but I did it with only losing a couple of little twigs. 

Of course, now I'm dying to paint the new nest!!! It's going to take some discipline to make myself finish the landscape first. If I don't, who knows when I'll get back to it. There are so many nest paintings I want to do- bigger, smaller, different angles, doing some with copper leaf instead of gold.... 

So many paintings- so little time. LOL

Beach week and bird's nests

Beach week was amazing!! What did I do? Nothing. I went from condo to beach and back again. I took walks, listened to the waves, read and slept. I guess those things are actually something but you know what I mean- nothing that was required of me, only what I felt like doing when I felt like doing it. To me there is nothing more peaceful and rejuvenating than being near water and listening to the sounds of nature. After I got back my husband got me a white noise machine for sleeping that includes the sound of the ocean- perfect! I might be back inland but when I go to sleep I can listen to waves crashing, feel the fan blowing and pretend I'm dozing on the porch of a beach cottage as I drift off to sleep. 

 I love how these ripples ended up looking in this photo. It might end up a painting at some point.

My son and his family came out to spend a day and he brought the big bubble stuff with him. I think I enjoyed that more than the girls did. All they cared about was sand and water. :)

So beach week is over and now I'm all refreshed, excited to paint again and back to the easel. The first thing I did was prep 3 canvases. I used the heavy body gesso as usual. After letting them dry overnight I coated them with red acrylic, mapped out my design and then applied gold leaf to all 3.

One was for a landscape, one for a floral and one for a nest but I couldn't decide which one I wanted to start with. My sister-in-law said I should do the one on top first so I did the landscape...

Daybreak

12x12 

Remember the nest painting I showed you last time? It's already sold and delivered! Now I'm working on the second canvas. I said I might do something different with the next nest painting as far as the texture goes but no, I just couldn't help myself. It isn't giving me as much of a problem as it was before so that's good.

I'm not too far from being done with this one. I should finish in another day or two and then I'll move on to the third canvas- the floral. I'm sure you'll see it in the next post. So, until then, I hope you're doing something artsy. 

No excuses, inspiration and summertime

No excuses. I saw this video on Facebook this morning and I thought- what an inspiration! I've had some issues lately with my hands due to a long time living with Rhuematoid Disease and of course the first thing that goes through my mind is.... what will happen if I'm not able to use my hands anymore? What if I can't hold a paint brush or colored pencil? Then I saw that and thought- hell, I'll just strap the brush to my arm if I have to. If you want to create or NEED to create like so many of us do, you'll find a way.

"Do not let the fact that things are not made for you, that conditions are not as they should be, stop you. Go on anyway. Everything depends on those who go on anyway." ~Robert Henri

So.... on to painting. Remember the bird's nest from the last post? Airborne is done- 12x12, mixed media on canvas. These are fun and a challenge to do. You know how much I love texture but I can't decide if I like it with these particular paintings. I think the nest itself might be easier to paint if the canvas were smooth but I do prefer the texture behind the gold leaf. Putting the gold directly on the canvas without texture tends to show off the weave of the canvas too much for my taste. I'll do the third one with the texture but maybe I'll play with something different for future pieces.

In the meantime I received a request for a portrait from someone who loves the gold leaf that I use in the landscapes but wants it done for a baby's portrait. Here's my first foray into gold and people painting. I have 7 grandchildren so I'm never without subjects to test techniques on. This one is Mila Blaze.

I think this will take some experimenting with surfaces. I love using Canson Mi-Teintes for portraits because I love to work on colored paper but the adhesive size for the gold does make the paper buckle. You can tell in the photo- especially on the left side. I did this one pretty small because I had a feeling that would be the case. The paper size here is 8.25x11. Maybe it would buckle less if the paper were larger? I don't know. The Canson also absorbs the size so it took 2 coats of the adhesive in order for it to work and get tacky. We'll see how the next one goes....

In the "catching up" post I shared some new landscapes. Since then I've shipped them off to the Signature Art Gallery in Tallahassee FL. and my wonderful rep Vera emailed me the photo of how they have my work displayed there- you can see the brand new ones on the left. I love this gallery and am so happy to be included with the fabulous artists they have there. Check out their website, or better yet, visit them if you can.

What's next? NOTHING! I'm not painting a single thing for the next week because tomorrow I head to the beach. I thought about taking some art supplies with me but then I thought about the hundreds of books on my kindle and decided to make a dent in that list instead and this will be my view for the next 7 days. Ahhhhh.......

Here's to creativity, inspiration, summertime, relaxation, peacefulness, and sunrises over the Atlantic. I hope you're getting your own time to rest this summer. See you when I get back.

Shiny gold and a bird's nest

Birds have always fascinated me. If I believed in reincarnation I think I'd like to come back as a bird. The thought of being able to fly, soaring on the currents, looking down at earth, seems so amazing to me! I first started using the bird's nest image in my Silent Voices series about infant adoption. As a thematic element it works to represent the position of the first mother, the place where life begins. And because of my love of birds it just made sense for me to use the imagery of their handiwork. 

Since then I've been lucky enough to have wrens visit my home and build theirs inside my mailbox. So far I've collected 3 nests and keep them in my studio for inspiration and painting reference.

Here they are sitting on my big drawing table. 

When I paint my landscapes I frequently use gold leaf and texture- I love shiny, and I love the way a painting with gold changes when the light in a room changes. Lately I've been focused on some new gold sky paintings and decided I wanted to change things up a bit. A bird's nest is part of the landscape so why not? Why not combine the nest idea with the gold sky idea and do something a little bit different. So here's the first one......

And the second one (below) is in progress, still lots to do. I've noticed that when I painted the nests in the Silent Voices series they were more stylized. It just seemed better suited to the paintings that way. Now with these new ones I'm getting more realistic with them. They're not quite so neat- more messy and real. It just seems to work better with the texture and the looseness of the gold application.

I'm enjoying this little crossover in painting subjects between 2 different groups of work. Who knows where else it'll lead. 

Let me know what you think. I'd love to hear your thoughts- it would be a nice break from the chatter in my head. :)